Devalok
Origin · 3 tellings · Pan-India

Vishvakarman, the maker of everything, and the king who gave away the earth

Who is in it

Texts: Rigveda, Shatapatha Brahmana

The story, beat by beat

  1. A seer-priest, 'our father', sits down and offers up all existing things.
  2. The poet asks what he stood on and what supported him.
  3. He has eyes, face, arms and feet on every side and welds heaven and earth with arms and wings.
  4. The poet asks what wood and what tree heaven and earth were shaped from.
  5. The second hymn calls him maker, disposer and sole name-giver of the gods.
  6. The waters held a first seed in which all gods were together, on the navel of the Unborn.
  7. The poet tells the hymn-chanters they will not find the maker.

creation question sacrifice earth

How it is told, place by place

Base telling · Primary text (translation)

Rigveda 10.81 and 10.82

Pan-India All traditions

Two hymns of the tenth book address Vishvakarman as father, seer and priest who offered all existing things, the one god with eyes, face, arms and feet on all sides who welds earth and heaven together with arms and wings. The poet asks what he stood on and what wood the worlds were cut from, names him the gods' name-giver, speaks of the first seed in the waters on the navel of the Unborn, and ends by saying the chanters will not find him.

Hymns of the Rigveda, tr. R. T. H. Griffith (1896), hymns read for the Vedic layer § 10.81; Hymns of the Rigveda, tr. R. T. H. Griffith (1896), hymns read for the Vedic layer § 10.82

Primary text (translation)

Shatapatha Brahmana 13.7.1 and Aitareya Brahmana 8.21

Pan-India All traditions

Vishvakarman Bhauvana, anointed by Kashyapa with Indra's great anointing, conquered the earth and offered the horse sacrifice. He performed the ten-day Sarvamedha, first offered by the Self-existent, in which everything is given and the land is divided among the priests. He 'overpassed all beings and became everything here'. The Earth sang that no mortal may give her away, that he was foolish, that she would sink into the waters and his promise to Kashyapa was vain.

What is different here:

A human king and a ritual precedent in place of a cosmic maker; adds the Earth's protest.

The Satapatha-Brahmana, tr. Julius Eggeling (Sacred Books of the East 12, 41) § 13.7.1.1,13-15; Rigveda Brahmanas: the Aitareya and Kausitaki Brahmanas, tr. A. B. Keith (1920) § AB8.21

Primary text (translation)

Epics and Puranas: the architect of the gods

Pan-India All traditions

Later texts make Vishvakarma the gods' craftsman: son of the Vasu Prabhasa and Brihaspati's sister, master of a thousand arts (Vishnu Purana 1.15); builder of Lanka (Ramayana, Uttara 3 and 5), of Yama's hall (Mahabharata, Sabha 8) and of Dvaraka by his science (Bhagavata 10.50); maker of Tilottama (Adi 213); father of Sanjna, who trims the Sun and makes the gods' weapons from the filings (Vishnu Purana 3.2); father of the monkey Nala (Ramayana, Yuddha 22).

What is different here:

A named craftsman with a family, clients and a workshop; none of this is in the Vedic hymns.

The Vishnu Purana, tr. H. H. Wilson (1840) § 1.15; The Vishnu Purana, tr. H. H. Wilson (1840) § 3.2; The Ramayana of Valmiki, tr. Hari Prasad Shastri (1952-59), Uttara Kanda (wisdomlib.org) § uttara.5; The Mahabharata, tr. K. M. Ganguli (1883-96), sections read for the Vedic layer § sabha.8; The Mahabharata, tr. K. M. Ganguli (1883-96), sections read for the Vedic layer § adi.213; Srimad-Bhagavatam (Bhaktivedanta Vedabase) § 10.50.49-53; The Ramayan of Valmiki, tr. R. T. H. Griffith (1870-74) § 6.22

Sources: Hymns of the Rigveda, tr. R. T. H. Griffith (1896), hymns read for the Vedic layer; The Satapatha-Brahmana, tr. Julius Eggeling (Sacred Books of the East 12, 41); Rigveda Brahmanas: the Aitareya and Kausitaki Brahmanas, tr. A. B. Keith (1920); The Vishnu Purana, tr. H. H. Wilson (1840); The Ramayana of Valmiki, tr. Hari Prasad Shastri (1952-59), Uttara Kanda (wisdomlib.org); The Mahabharata, tr. K. M. Ganguli (1883-96), sections read for the Vedic layer; Srimad-Bhagavatam (Bhaktivedanta Vedabase); The Ramayan of Valmiki, tr. R. T. H. Griffith (1870-74)

More stories with the same people

Legend

Vamana and King Bali

The generous asura king Bali grants a dwarf brahmin three paces of land; two strides cover heaven and earth, Bali offers his own head for the third and is sent to rule Sutala with Vishnu as his doorkeeper.

Legend

Two origins of the discus

The Sudarshana is either Shiva's gift at Kashi after Vishnu offers his own eye in place of a missing lotus, or Vishvakarma's work from the radiance shaved off the sun.

Temple legend

Nila Madhava and the unfinished images of Puri

King Indradyumna's priest finds Nila Madhava worshipped by a Sabara chief; the image vanishes; new images are carved from a sea-borne log and left unfinished when the carver is disturbed.

Legend

Indra, Vishvakarma and the parade of ants

Indra will not let Vishvakarma stop building his palace until Vishnu, as a boy, shows him a column of ants that were each once an Indra.

Temple legend

The carving of the images at Puri

An old carpenter carves the images of Jagannath from the log behind a closed door; in Puri's tradition the door is opened early and the images stay unfinished.

Festival story

Vishvakarma Puja and the builders' communities

How and when Vishvakarma is worshipped: the solar date in Bengal and the east, the day after Diwali elsewhere, and the craft communities who trace themselves to his five sons.

Legend

Vishvakarma builds Lanka

The Ramayana's Uttara Kanda says Vishvakarma built golden Lanka on Mount Trikuta at Indra's command and gave it first to three Rakshasa brothers; later it passed to Kubera.

From the epics

Nala, son of Vishvakarma, builds the bridge to Lanka

The Ocean tells Rama that the monkey Nala, Vishvakarma's son, has his father's skill; Nala builds the bridge.