One day on the mountain Parvati came up behind Shiva and covered his eyes with her hands, and all the light in the worlds went out. In the dark and the heat, sweat from her palms ran down and became a child, dark and blind. Shiva gave the boy to Hiranyaksha, who had prayed for a son, and the demon called him Andhaka, the one who darkens. Andhaka grew, won power from Brahma by penance, and took the demons' throne. Then someone told him of a woman on Kailash lovelier than any, and he sent for her, and when she was not sent he came with an army. She was Parvati. Shiva met him and drove the trident through him and lifted him on it, but each drop of blood that reached the earth stood up as another Andhaka, until the ground was crowded with them. Shiva called the mothers, the Matrikas, and they caught the blood in their mouths before it fell. Andhaka hung on the trident, in some tellings for a thousand years, until the demon in him had dried away; then he sang to Shiva, was forgiven, and joined his household.
The Vamana Purana names the blood-drinkers Carcika and Mangala among the mothers, has Parvati take a hundred forms to confound the demon, and adds the ending that gives the story its afterlife: the redeemed Andhaka becomes the gana Bhringi, the devotee who would honour Shiva alone.
What is different here:
Parvati's hundred forms; the Matrikas named; Andhaka identified with Bhringi.
In the Harivamsha Andhaka is no child of Parvati's sweat but a son of Diti and Kashyapa, one demon among the daityas, who uproots Mount Mandara in his war on the gods before Shiva ends him.
What is different here:
Different parentage; the mother-lust motif is absent; he uproots Mandara.
West India · Elephanta and Ellora, MaharashtraShaiva
The killing is among the most violent images of the western caves: at Elephanta Shiva as Bhairava spears the demon with a skull-cup raised to catch the blood, and at Ellora a Matrika waits below with her bowl. A Mughal manuscript of about 1590 painted the scene again.
What is different here:
Iconographic: Shiva shown as Bhairava; the blood-catching motif made visible.