Devalok
Origin · 2 tellings · Pan-India

The goddess from the fire

Who is in it

Texts: Lalitopakhyana, Lalita Sahasranama

The story, beat by beat

  1. Chitrakarma shapes a man from Kama's ashes and Shiva's look brings him alive.
  2. He chants the Shatarudriya and wins half the strength of any foe and sixty thousand years.
  3. Brahma's cry 'bhanda' names him; Shukra and Maya make him king in Shonitapura.
  4. Narada tells Indra only the supreme Shakti can help; the gods do penance on the Himalaya.
  5. Indra digs a fire pit a yojana wide and the gods give it the flesh of the body.
  6. A wheel of light appears and the goddess sits in it with noose, goad, sugarcane bow and arrows.
  7. Brahma names Shiva Kameshvara; she throws the garland on him; the gods give her weapons.
  8. Narada tells her Bhanda can be subdued by her alone.

origin sacrifice marriage kingship

How it is told, place by place

Base telling · Primary text (translation)

Lalitopakhyana 11 to 15

Pan-India Shakta

Chitrakarma, a lord of the ganas, shapes a man from Kama's ashes; Shiva's look brings him alive; he recites the Shatarudriya a hundred times and is granted half the strength of any foe, futile weapons against him and sixty thousand years. Named Bhanda from the cry 'bhand, bhand'. Shukra comes to him and Maya rebuilds Shonitapura; the gods serve him. Narada tells Indra only Para Shakti can help; the gods do penance on the Himavat and a rampart of light holds Bhanda off. Indra digs a pit a yojana wide; the gods offer great flesh, and as they are about to offer the whole body a light appears, with a wheel, and the goddess in it, red, holding noose, goad, sugarcane bow and five arrows; her glance heals them. Vishvakarma builds her city; Brahma names Shiva in his beautiful form Kameshvara; she throws a garland on him; Vishnu gives her away; Brahma gives the bow, Vishnu the arrows, Varuna the noose, Vishvakarma the goad; she is named Kamakshi and Kameshvari. Narada says Bhanda can be subdued by her alone.

Lalitopakhyana ch. 11, The appearance of demon Bhanda, tr. G. V. Tagare (wisdomlib); Lalitopakhyana ch. 12, Manifestation of Lalita, tr. G. V. Tagare (wisdomlib); Lalitopakhyana ch. 14 and 15, Kameshvara and the wedding, tr. G. V. Tagare (wisdomlib)

Primary text (translation)

Lalita Sahasranama 1 to 11, with Bhaskararaya

Pan-India Shakta

Names 4 and 5: born from the fire altar of consciousness, risen for the gods' work. Bhaskararaya's quotation of the Lalitopakhyana: Ganesha shaped the man of ash and Brahma said 'well done' (bhanda); the gods offered the flesh of their own bodies; a light bright as millions of suns and cool as millions of moons; the Shri Chakra; the goddess from its centre. He reads the fire as consciousness: she is not born, only manifest. Names 8 to 11 read her noose, goad, bow and arrows as desire, anger, mind and the five subtle elements.

What is different here:

Ganesha, not Chitrakarma, shapes Bhanda; the offering is the gods' own bodies; the birth is read as manifestation of consciousness.

Lalita Sahasranama with Bhaskararaya's commentary, tr. R. Ananthakrishna Sastry (2nd ed. 1925, archive.org)

Sources: Lalitopakhyana ch. 11, The appearance of demon Bhanda, tr. G. V. Tagare (wisdomlib); Lalitopakhyana ch. 12, Manifestation of Lalita, tr. G. V. Tagare (wisdomlib); Lalitopakhyana ch. 14 and 15, Kameshvara and the wedding, tr. G. V. Tagare (wisdomlib); Lalita Sahasranama with Bhaskararaya's commentary, tr. R. Ananthakrishna Sastry (2nd ed. 1925, archive.org)

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