Devalok
Temple legend · 2 tellings · Northeast India

The ten on Kamakhya's hill

Who is in it

Places: Nilachal hill · Texts: Mahabhagavata Purana

The story, beat by beat

  1. Narada asks Shiva about Kamarupa.
  2. Shiva: a part of Sati fell there; the gods do penance there.
  3. Narada asks about the goddess and the ten Vidyas.
  4. Kamakhya is Kali on a seat of lion, corpse and lotus, the nine round her.
  5. Rudra lies beneath like a mountain of ash.
  6. Shiva teaches the armour prayer that sets each goddess on one side.
  7. Today Matangi and Kamala are inside the main temple with Kamakhya as Shodashi; seven have their own temples.

mahavidyas kamakhya pilgrimage temple

How it is told, place by place

Base telling · Primary text (translation)

Mahabhagavata Purana 76 to 77

Northeast India Shakta

Narada asks about Kamarupa; Shiva says no place is better: a limb of Sati fell there, the gods and Brahma, Vishnu and Shiva do penance there, Vasishtha received his mantra there, going round it is going round the three worlds, and bathing in the Lohita brings mastery of mantra. Asked about the goddess and the ten Vidyas, he says Kamakhya is Kali, the first goddess, in red, three-eyed, four-armed, seated on a lion, a corpse and a lotus that are Vishnu, Shiva and Brahma; Tara on her left, Bhuvaneshvari right, Shodashi south-east, Bhairavi south-west, Chhinnamasta north-west, Bagalamukhi behind, Sundari north-east, Dhumavati to the south; Rudra beneath like a mountain of ash. He then teaches her armour prayer, which sets each goddess to guard one side.

The Mahabhagavata Purana, English translation (archive.org upload; Pushpendra Kumar's edition, translator not named) § 76.1-38; The Mahabhagavata Purana, English translation (archive.org upload; Pushpendra Kumar's edition, translator not named) § 77.1-49; David Kinsley, Tantric Visions of the Divine Feminine: The Ten Mahavidyas (University of California Press, 1997) § p24

Temple tradition

The Nilachal hill today

Northeast India · Guwahati, Assam Shakta

The hill is three hills, Brahma's, Shiva's and Varaha's. The main temple's underground room has no image, only a rock cleft filled by a spring; Kamakhya is honoured there as Shodashi with Matangi and Kamala, all three stones. The other seven have their own temples: Kali (the nine Kalis), Tara (the eight Taras, large, like the main temple), Bhuvaneshvari (also Mahagauri and Annapurna), Tripura Bhairavi (the other nine painted near the ceiling), Chhinnamasta (the hidden Kamakhya), Dhumavati and Bagalamukhi. The forms are mostly stones under flowers, cloth and offerings, some in caves opened on special days. The earliest inscription is of the ninth century; the temple was rebuilt by 1565 under Naranarayana and Chilarai. Kinsley found only one other temple to all ten, at Cossipore in Kolkata.

Kamakhya Temple (Wikipedia); Sacred landscape: the places of worship on the Nilachala hills (kamakhya.org); David Kinsley, Tantric Visions of the Divine Feminine: The Ten Mahavidyas (University of California Press, 1997) § p16-18

Sources: The Mahabhagavata Purana, English translation (archive.org upload; Pushpendra Kumar's edition, translator not named); David Kinsley, Tantric Visions of the Divine Feminine: The Ten Mahavidyas (University of California Press, 1997); Kamakhya Temple (Wikipedia); Sacred landscape: the places of worship on the Nilachala hills (kamakhya.org)

More stories with the same people

Origin

Sati and the ten forms

Forbidden by Shiva to go to her father Daksha's sacrifice, Sati turns dark and terrible; when Shiva runs, she stands before him in every direction in ten forms, names them, and goes. Oral tellings put the same ring of ten round Shiva when he tries to leave Parvati or Kali.

Legend

The riddle on the swing (Ghatotkacha's bride and Barbarika's birth)

Krishna proposes Kamakantakata, Mura's daughter, as Ghatotkacha's bride; he wins her in Pragjyotisha with a riddle and in battle, she carries him to Indraprastha, and their son is born grown, named Barbarika for his hair and Suhridaya by Krishna. Khatu gives the boy a mother called Morvi or the Naga princess Ahilavati, who teaches him war, and has Shiva give the three arrows and Agni the bow.

Festival story

The Earth rests for three days

In Odisha, Assam and Tulu Nadu the Earth is said to have her monthly rest once a year; for three days no one ploughs or digs.

Legend

Kalki and the princess of Simhala

In the late Kalki Purana, Kalki learns from Parashurama, receives a horse, a sword and a talking parrot from Shiva, and through the parrot finds Padmavati of Simhala, whose every suitor turns into a woman; he marries her and the cursed kings become men again.

From the epics

Rama breaks Shiva's bow

At Janaka's court in Mithila no king can lift the bow of Shiva that is Sita's bride-price; the young Rama lifts it, strings it and breaks it in two, and wins Sita. Tulsidas sets it at a crowded contest, and brings in Parashurama, furious at the sound.

Temple legend

The cow, the anthill and the cowherd's axe

Looking for Lakshmi, Vishnu sits in an anthill on the Venkata hill, and Brahma and Shiva come as a cow and calf to feed him. The Chola king's cowherd, finding the cow dry, follows her and swings his axe; the god rises from the anthill and takes the blow. The wound on his head is why the image wears camphor, and why pilgrims give their hair.

Legend

Durgama, the weeping eyes and the goddess of greens

The demon Durgama wins all the Vedas from Brahma; worship stops, rain stops, and a hundred years of drought follow. The goddess appears with countless eyes and weeps for nine days until the rivers fill, feeds the world from her own body as Shakambhari, then kills Durgama and takes his name: Durga.

Temple legend

The dance at the banyan forest

Kali, drunk with the blood of the demons she has killed, rules the banyan forest of Tiruvalangadu and terrifies it, until Shiva comes and she challenges him to dance. He drops an earring, picks it up with his toe and lifts his foot to his ear, and she cannot follow. At Chidambaram she loses the same contest and is sent to the edge of the town.