Devalok ← All gods
Also calledShriPadmaKamalaMahalakshmiBhargaviThirumagal

At a glance

TraditionShakta
SeatA pink lotus

open, floating on water; she rose from the sea on one

In her handsLotuses in the upper two

the lower two give, and pour gold coins

Who Lakshmi is

Lakshmi is the goddess who arrives. In the stories she is never simply there, the way a mountain is there. She comes up out of the sea, or in through a door, or into a dream, and the moment she comes the house fills, the fields green over and the gods get their strength back. And she goes. That is the other half of her, and the stories are honest about it. She leaves Indra when he throws a sage's garland in the dust. She leaves Bali when he stops washing his hands before the offering. She leaves her own husband's chest when a man kicks it and her husband says thank you.

People call her the goddess of wealth, and she is, but in her own stories wealth is never the point. It is what follows her in. What she is looking for, when she walks the shore of the churned ocean with a garland in her hands, or goes round the earth on the autumn full moon asking who is awake, is a certain kind of house and a certain kind of person: clean, grateful, awake, not quarrelling. She tells Rukmini exactly whom she stays with and whom she leaves, and it is a long list, and money is not on it.

She is pictured on an open lotus, in red and gold, with two white elephants pouring water over her, and gold falling from one of her four hands. In Bengal and Odisha an owl sits at her feet. On Vishnu's chest she sits beside the Kaustubha jewel, which came out of the same sea a little before her. In the south she is Thirumagal and Padmavati of Tiruchanur, in Maharashtra the Mahalakshmi of Kolhapur, at Badrinath the tree that kept the snow off her husband. Her elder sister is Jyeshtha, called Alakshmi, misfortune, who rose from the sea before her and who is sent out of the house with a broom on the night the lamps are lit.

Her nights are the ones when the house stays up for her: Diwali in the north and west, the Kojagari full moon in the east, the Friday of Varalakshmi in the south, the Thursdays of Margashira in Odisha. The oldest prayer to her asks only one thing, and it is not for gold.

Bring me, Agni, the Lakshmi who does not go away: the Shri Sukta's last verse.

Before the Puranas

The Vedic roots of Lakshmi

In the Rigveda, shri is not yet a goddess. It is a word, used more than a hundred times, for the shine on anything that is going well: a full house, a strong king, a face people turn towards. The hymn that makes a person of it, the Shri Sukta, was added later to the fifth book: fifteen verses to a golden goddess in a chariot, waked by the trumpeting of elephants, seated on a lotus, with an elder sister to be driven out. The Shatapatha Brahmana gives her a birth from Prajapati and a robbery by the gods. The Vishnu Purana makes her Bhrigu's daughter, Bhargavi, before it makes her the ocean's. The Lakshmi of the Puranas, the one who rises from the churned sea, gathers all of these into one person.

The Shri Sukta asks for her in Agni's hearing. It describes her in gold and silver, deer-coloured, moon-bright, in a chariot with horses, and it names what she brings: gold, cattle, horses, sons, food, fame. Its eighth verse turns and asks her to drive out her elder sister, the one marked by hunger and thirst. Two names in the last verses, Kardama and Chiklita, are taken by tradition as her sons. There is no ocean in the hymn, no churning and no husband.

The Shatapatha Brahmana tells a short, hard story. Prajapati, worn out with making the world, brings Shri out of himself, and she stands there shining and shaking. The gods look at her and say to one another that they should kill her and take everything she has. Prajapati says no: she is a woman, and one does not kill a woman; take her gifts and let her live. So Agni takes her food, Soma her kingship, Varuna her sovereignty, Indra her strength, Brihaspati her lustre, Pushan her wealth, Sarasvati her prosperity, Tvashtri her beauty, and she has to win each back by an offering. That story and the Veda's golden chariot are told in The Day Lakshmi Chose.

The Vishnu Purana adds a father. Shri is the daughter of the sage Bhrigu and his wife Khyati, and when Maitreya objects that everyone says she came from the sea of milk, Parashara answers that she is eternal, Vishnu's consort in every age, and that the sea only gave her back. He is meaning and she is speech, he the day and she the night, he the ocean and she the shore. Whenever he comes down she comes down beside him.

Scholars read these as separate goddesses, a quality, a Vedic fortune, a Brahmana's Shri and a sage's daughter, joined in the Puranas. The texts themselves do not say so. What they give is a line that can be followed from a word to a woman on a lotus.

See how the Vedic gods became the Puranic ones →

Every story about Lakshmi

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